Alexander Payne, often accused of a condescending portrayal of characters, takes a different route in “The Holdovers.” This film is a departure from his earlier works, radiating a sincere love for its characters evident in every frame, line, and plot choice. In an era marked by cynicism, Payne’s genuine affection for his creations becomes a refreshing narrative force.
Rebounding from the setback of “Downsizing,” Payne reunites with Paul Giamatti, who delivers a stellar performance as Paul Hunham, a formidable ’70s professor. Hunham, disliked by students and staff, forms unexpected bonds during Christmas break with a student, Angus, and the grief-stricken cook, Mary. This trio, at different life stages, embarks on a heartwarming journey, exploring the transformative power of unexpected connections.
David Hemingson’s script navigates life’s unpredictability, steering clear of clichés. Da’Vine Joy Randolph brings a poignant portrayal of grief as Mary, while Dominic Sessa shines with wit and uncertainty as Angus. The film, imbued with humor, captures the essence of ’70s comedies, presenting relatable characters facing life’s uncertainties. Visit afdah for more!